(...) Ravi Ravindra remembers us of the rishi Dirghatamas of Rigveda, and his statements about the relationship between the I (aham) and the cosmos (idam): 

"I know not clearly whether I am the same as this cosmos: a mystery I am, yet, conceived in mind I wander". 

One verse later Dirghatamas says 

"When the first born principle of Rta (cosmic law) entered in me, then of this vak (speech) I obtained a portion". 

Discussing absolute knowledge, R. Ravindra mentions about the vedic sacrifice as the "sacrifice of the mind (citta) for the sake of purusa, the only true seer. This purusa is not your or mine, is the pure power of seeing". The seer, the seen, the seing are all one: purusa. This state is called kaivalya = of alones, not in the sense of separation, but simply because there is no other (only purusa, purusa is only).

Somewhere in a near future, art became the new religion of this decaying society, after monotheism, capitalism and permaculture all failed, as these unhappily confined people to sets of rules and prescriptions that gave not enough room for a mature expression of individualities. 

Art was the highest form of juxtaposing personal expression with the ever-changing structures, of manipulating time and space (which they needed to do, as these recourses were shrinking day by day) and of decently reacting on each other – its was what they thought when decided to resume to art in this unnamed society. 

And as each political  structure does, art authorities established their own instruments for negotiation, as they subversively  kept democracy as the core illusion of their state, designed according to some particular mind mapping  principles adopted from the highly adorned theories of artificial intelligence. 

The most at hand instruments were people. In order to have them negotiating, they were initially put in different positions, so that they could develop different views on whatever the subject was, so that they had something to negotiate about. In order to have (different) positions, on top of the ever-changing snowflake structures of Reality - which was less important in the mind mapping context - they imagined a pyramid. We must mention that as the art of the Pyramids, next to the art of war were the dearest heritage left behind by the previous generation. On all this, the simplified principles of “emotional intelligence” (or - for dummies, as it was called in the preceding era) were applied. The psychoanalytical techniques were finally swept, or at least this is what the massa was told. The three top layers of the pyramids used to secretly meet for mutually exchanging psychoanalytic sessions with each other. As they were highly versatile in this science, they could easily swap roles between therapist and patient, which they did, by tossing a coin the evening before the planned event. 

All was functioning as a “dames blanches” soup, until the heads of the pyramid had the tremendous idea of releasing some of their leadership secrets into the young generation, as a mean to insure the continuity of their knowledge and its progress towards pure wisdom (this was the level at which one didn’t need to apply principles of the pyramid, the art of war nor any of the emotional or artificial intelligence).