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CV (Recent Performances)
Daniel Kok


documentation 1
SONIC GARDENING -- alessandracoppola


sonic gardening
alessandracoppola


day one. 7th January
Notes Opening Week I-13 -- Nicolas Galeazzi


The Adoption Project
Peter Stamer


Day 6 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


Call for artists! International ...
juricnina


Franes performer
franes


Day 9 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


DAY 8 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


WHATEVER MOVING LIKE THAT -- PA ...
Oshin Albrecht


Day 4 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


Day 3 - Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


Day 7 report The Economy of Enj ...
High Pertformance! Workshop in economy -- Lucie Eidenbenz


DAY 2 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


Day 1 Report
High Pertformance! Workshop in economy -- Lucie Eidenbenz


HIGHER PERFORMANCE
Lucie Eidenbenz


pictures
CLEANING THE HOUSE -- Sven G


i OWN 90 Minute Remix
THE ART OF SHARING, THE SHARING OF ART -- Sven G


REASONS TO BECOME A HUNGER ARTIST
HUNGER ARTIST -- elke van campenhout


call to join the hunger artists
HUNGER ARTIST -- elke van campenhout


'Micro Histories' Thematics BC
Lilia Mestre


January 2 2012
Cultivating A Spot -- Sven G


art must be fun, art must be se ...
on my way -- iuliana varodi


Ghosts & Hosts - Impressions
Clé


Self-reminder
Clé


The video of the day - Cake or ...
Clé


The quote of the day
Clé


Growing in the Grace of Giving
THE G PARTY -- Sven G


Steve Jobs: 'Death is life's be ...
Clé


Saturday night knee-jerk reacti ...
Clé


Speaking to oneself might be a ...
Clé


Research, in art is a noisy res ...
don't know -- Caroline Daish


EPISODE 2
STUDIO 54 soap -- Michiel Reynaert


my concept for 'I Don't know '
robin


EPISODE 1
STUDIO 54 soap -- Sven G


STUDIO 54 soap
STUDIO 54 soap -- Sven G


clouds
MAN TWEETS CLOUD -- Sven G


pictures
MAN TWEETS CLOUD -- Sven G


MAN TWEETS CLOUD (2011)
MAN TWEETS CLOUD -- Sven G


www.gang-stalking.be
simonbenja


sharing session
THE ART OF SHARING, THE SHARING OF ART -- Sven G


Ria Hartley
THE ART OF SHARING, THE SHARING OF ART -- Sven G


Cara Davies
THE ART OF SHARING, THE SHARING OF ART -- Sven G


question
THE ART OF SHARING, THE SHARING OF ART -- Sven G


departure
AUGUST EPIC -- Sven G


desktop video
WERKKAMP 011 -- Sven G


snippets
WERKKAMP 011 -- Sven G


TOUR DE FORT 24/7
WERKKAMP 011 -- Sven G


Soap resurrection
Soap For Foam -- Michiel Reynaert


We See Fireworks
Sven G


Jesper Just's short movies - be ...
Soap For Foam -- Michiel Reynaert


a letter from the script writer
Soap For Foam -- Michiel Reynaert


Watching Dallas
Soap For Foam -- Michiel Reynaert


All Watched Over By Machines Of ...
Sven G


a sister of a.pass
Michiel Reynaert


desktop video
FOLLOWING PIECE 2.0 / EVERYTRAIL -- Sven G


EVERYTRAIL
FOLLOWING PIECE 2.0 / EVERYTRAIL -- Sven G


EXPERIMENTAL ETHNOGRAPHY
visual ethnography -- Caroline Daish


pictures
VEXATIONS -- Sven G


video
SWATTING -- Sven G


BUILD YOUR LEADER
ENACTING POPULISM -- margareth kaserer


PICASA (2011)
Sven G


movement
Caroline Daish


Essay on the understanding of Evil
mathematics for performativity -- Michiel Reynaert


Echo.Base group self interview ...
Michiel Reynaert


THE KITCHEN - V - CARRYING MILK
THE KITCHEN - V - CARRYING MILK -- Sven G


as you like it
ENACTING POPULISM -- Sven G


final evaluation
Sven G


D plus one
Fanny Zaman


I'VE BEEN TWEETING ABOUT YOU
Sven G


I'VE BEEN TWEETING ABOUT YOU (2011)
Sven G


MY WEEK 2.0 - EPILOGUE
Sven G


behind the scenes
MY WEEK 2.0 -- Sven G


EPILOGUE
MY WEEK 2.0 -- Sven G


MY WEEK 2.0 - FULL WEEK
Sven G


MY WEEK 2.0 - DAY 6 & 7
Sven G


DAY 6 - MAN
MY WEEK 2.0 -- Sven G


DAY 6 - LAND CREATURES
MY WEEK 2.0 -- Sven G


MY WEEK 2.0 - DAY 5
Sven G


MY WEEK 2.0 - DAY 4
Sven G


DAY 4 - YEAR
MY WEEK 2.0 -- Sven G


DAY 4 - WEEK
MY WEEK 2.0 -- Sven G


DAY 4 - DAY
MY WEEK 2.0 -- Sven G


DAY 4 - HOUR
MY WEEK 2.0 -- Sven G


MY WEEK 2.0 - DAY 3
Sven G


DAY 3 - FRUIT
MY WEEK 2.0 -- Sven G


MY WEEK 2.0 - TWITTER 24/7
Sven G


DAY 2 - SKY
MY WEEK 2.0 -- Sven G


MY WEEK 2.0 - DAY 2
Sven G


MY WEEK 2.0 - DAY 1
Sven G


DAY 1 - DAY / NIGHT
MY WEEK 2.0 -- Sven G


DAY 1 - LIGHT / DARKNESS
MY WEEK 2.0 -- Sven G


DAY 1 - THE WORD
MY WEEK 2.0 -- Sven G


DAY 1 - THE WORD
MY WEEK 2.0 -- Sven G


DAY 1 - THE WORD
MY WEEK 2.0 -- Sven G


DAY 1 - THE WORD
MY WEEK 2.0 -- Sven G


Cornered
Bureau d'Espoir -- elke van campenhout


MY WEEK 2.0
Sven G


welcome to fearland
Philippe Severyns


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Analog Bodies, Digital Consciousness


Sven G
Sven G -- Tue 21 Dec 2010
from the chapter in Understanding Media Theory (2004)
by Arjen Mulder

pages 169-170


Analog consciousness searches for a single place from which to perceive and experience a reality; digital consciousness seeks an overview of all the places that make up that reality.

The self is the core of analog consciousness, while digital consciousness experiences itself as a distributed cognitive network.

Digital consciousness is fixed in all the machines, books, databases, archives, interiors, friends and acquaintances, courses of study, e-mail connections, cities, vacations and other things from which it derives its knowledge and through which it disseminates it. The self is one element in this network, but definitely not the principal one.

Analog consciousness regards this digital craving for the big picture as a lack of courage, a halfhearted wish to keep all possibilities open: digital consciousness stands for nothing. For its part, digital consciousness accuses analog thinking of glorifying its own limitations. Why would you have one opinion when you can have all opinions at your disposal?

Analog consciousness's answer: because the world becomes real only through that choice - it becomes my world, rather than a place for which I bear no responsibility since everything might as well be different depending on how one looks at it.

One test of both kinds of consciousness, or of both ways of experiencing the world-and-self, is the encounter with something utterly strange or inhuman, such as an incidence of light, a weather phenomenon, a strange people,
an animal's gaze or a vegetative feeling. Analog consciousness can register the unknown only in a language comprehensible to it, but because of this, the truly alien remains invisible and inexpressible. The "other" arouses longing for the familiar in analog consciousness.

Digital consciousness, by contrast, asserts that it can take in things that fall outside the personal, even outside the human format. An encounter with the alien or unfamiliar can rewrite one's inner programming. The result is that after reprogramming one is incomprehensible to the person one was before one got reprogrammed. The advantage is that one subsequently sees through the new and strange as well as the old and familiar.

In the empire of the digital there is no longing. "My" world is not that interesting: the only emotions worth feeling are those evoked by a seduction that comes from outside and is capable of transforming "me" (and vice versa).


FOR ANALOG CONSCIOUSNESS, THE WORLD TRULY EXISTS;
FOR DIGITAL CONSCIOUSNESS, IT IS A PLACE OF POSSIBILITY.




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