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BOOK

Writing an online book entitled
ART/LIFE 2.0 - The convergence of art and life in times of social media.


Art/Life One Year Performance 1983-1984
- Linda Montano & Tehching Hsieh -





TABLE OF CONTENTS


  introduction


 ART/LIFE 2.0 - The convergence of art and life in times of social media

    >philosophy / LIFE PERFORMANCE

_ART=LIFE
_FICTION
_SVEN G
_VOID

    >artistic practice / ONE YEAR LIFE PERFORMANCE 2.0

    >artistic research / DOCUMENTING DURATIONAL LIVE PERFORMANCE ART USING SOCIAL MEDIA

_CONVERGENCE
_DDLPAUSM
_SUPPLEMENTALITY
_CLOCK & CALENDAR

 
LIVE ART 2.0 - Towards a real-time based live art

    >origins / DOCUMENTARY / PERFORMANCE

_DURATION & DOCUMENTATION

    >Transmedia / DOCUMENTARY PERFORMANCE

_LIVENESS & MEDIATION

    >social media / LIVE ART 2.0

_WEB 2.0
_VALUE
_
PARTICIPATION
_SHARED OWNERSHIP
_REAL-TIME BASED ART



  PART I. Documenting Durational Live Performance Art Using Social Media

>DOCUMENTING PERFORMANCE

>SOCIAL MEDIA


CASE STUDIES 1. PORTFOLIO

>One Year Life Performance 2.0

>Mikes Poppe

>Thomas Verstraeten


CASE STUDIES 2. MARINA ABRAMOVIC INSTITUTE

>The Pigs of Today are the Hams of Tomorrow

>The Artist Is Present


CASE STUDIES 3. AVATARS

>Joseph DeLappe

>Eva & Franco Mattes


CASE STUDIES 4. CONCEPTUAL ART

    (scheduled for next year)

>Danny Devos aka DDV

>On Kawara


CASE STUDIES 5. TEXT and SPEECH

    (scheduled for next year)

>Benjamin Verdonck

>Linda Montano & Tehching Hsieh



  PART II. The Art of Sharing, the Sharing of Art

       (scheduled for next year)

>ART AS EXPERIENCE

>P2P

>NINE INCH NAILS

>THE VISUAL CRASH

>THE OLD LIFE / THE NEW LIVE

>SITUATIONISTS

>PRIVACY IS STUPID / A MORATORIUM ON MAKE-BELIEF

>WEB 3.0




Linda Montano / SUMMER SAINT CAMP

BOOK -- Sven G -- Fri 2 Jul 2010 -- 0 reactions

SUMMER SAINT CAMP:THE 21ST CENTURY


In 1984, for 7 years, I designed a way for people to come and live with me for a week and called it SUMMER SAINT CAMP. It was during my performance 14 YEARS OF LIVING ART and we all dressed in the color that I was wearing that year and performed actions relevant to the Chakra that I was practicing the year that they attended the Saint Camp.(see www.lindamontano.com) It was based on simple living ,the "art povera" principles of less is more and the practice of making art to bring closure to the past and homeopathically prepare for the future by acting strong in advance of the unknown.

Annie Sprinkle, Veronica Vera, Barbara Carrellas, Sylvia Nakkach, Helene Aylon and many others joined me in Kingston, NY at THE ART/LIFE INSTITUTE, each for a week and they received PERFORMANCE ART/SAINT DEGREES at the conclusion of their residency.

They practiced conservation of water,cold showers, used only 4 sheets of toilet paper, ate vegetarian meals, practiced silence, performed blindfolded and found ways to make an art of their everyday life as outlined in my book ART IN EVERYDAY LIFE, 1980.The days were structured in a convent format and as an ex-novice having lived in a convent for 2 years, I brought to the experience a good memory of that time and gifts from sacred and artful living.

SUMMER SAINT CAMP IS BACK!!! some 20 years later. This time I am inviting performers to come for a day, and I suggest you take a vow to endure without using cell phones, laptops or any outside communication device for the time we are together. You have the option to participate individually or with a friend or as a group.

Come to Kingston NY, for a 7 hour ART/LIFE experience . Bring your own toilet paper, water and food. Choose beforehand the GLAND or SACRAMENT that you would like to explore, the life issues you wish to perform, the color you want to wear. I now focus on GLANDS and SACRAMENTS and as a certified Laughter Leader, we will also be using that sound-making device in our time together as well as have a chance to work on any art/life issue discovered during the residency. Everything is practiced in a careful, compassionate and yet energetic manner with respect for everyone's boundaries. You have the option to cite: "Collaborated with Linda Mary Montano", on your resume after this residency if you wish.
+++++++++++++++++++++++++++++++++++++++++++++++++++

TESTIMONIALS:

"SUMMER SAINT CAMP transformed my life for good and forever. I left Camp knowing I was truly the artist I had never allowed myself to be. Linda's encouragement and guidance still infuses all my work. SUMMER SAINT CAMP may be the most important commitment you make to your artist self." BARBARA CARRELLAS, Life/Artist and Author of URBAN TANTRA SACRED SEX FOR THE 21ST CENTURY


"SUMMER SAINT CAMP was simply the most brilliant, profound, life enhancing workshop I've ever done. I found my calling, quadrupled my income, got spiritually satisfied, fell in love, enriched my sex life and my art career really took off. Sign up today."
ANNIE SPRINKLE, Artist/Author/Lecturer/Ecosexual


"My first night at Linda Montano's SUMMER SAINT CAMP I had what Linda described as a "seven chakra dream". It encompassed the most pressing issues in my life at that time. By the end of my stay, I created an art piece that reflected that dream and improved my life. Her philosophy that life is art is the cornerstone of my Academy. Linda Montano will help you to be a saint and miracle worker." VERONICA VERA, Author and Founder, MISS VERA'S TRANSGENDER ACADEMY

+++++++++++++++++++++++++++++++++++++++++++++++++++

SOME SUMMER SAINT CAMP PARTICULARS:

FROM NYC : TAKE ADIRONDACK TRAILWAYS TO KINGSTON NY; TAXI TO 185 ABEEL ST, KINGSTON NY

WHEN: CHOOSE A DAY FROM MAY 1-AUGUST 31

COST: SLIDING SCALE: $160-$700 for 7 HOURS: CASH

BRING TOILET PAPER, DRINK AND FOOD, WEAR ONE COLOR CLOTHES

DIPLOMA: YOU WILL RECEIVE AN ART/LIFE/SAINT PERFORMANCE ARTIST DEGREE AS AN EMAIL AFTER THE RESIDENCY

MAPQUEST: 185 ABEEL ST, KINGSTON NY 12401

CONTACT: lindamontano@hotmail.com 845. 246. 4482 (not after 7pm ET)

+++++++++++++++++++++++++++++++++++++++++++++++++++
Tue April 13 2010


email to NG

BOOK -- Sven G -- Sat 27 Mar 2010 -- 0 reactions
Sent: Saturday, March 27, 2010 11:36:30 PM



Hey NG,

Back from NYC indeed, was fantastic.
It's Saturday now and I haven't been to the opening!
I gave Peter your mobile phone number, he should call you,
and if he doesn't I will remind him tomorrow.

About the theme of art/life, there are a few things I will recommend:


- you should look for a book in the Sint-Lukas school library called
'Out Of Now', by Tehching Hsieh & Adrian Heathfield
http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=11674


- check out performance veteran Linda Montano's virtual residency,
where you can fill in an application to get an art/life certificate!
Haven't done it myself yet...
http://www.lindamontano.com/residency/index.html


- Allan Kaprow has written various 'essays on the blurring of art and life',
compiled in a book under the same name. This book is very hard to find,
but I will scan and send you some of the most fundamental chapters during Easter holiday.
A few fragments:

page 75 / essay 'Experimental Art' (1966):

"If artists discover something of value in the process, the chances are that
they will cease experimenting and devote the rest of their carreer to mining
what they have found - at which point they join the larger community of artists.
But if they wish to continue experimenting, even if only from time to time, their
method must be applied as rigorously as in the beginning. It means erasing their
profession as a value and accepting only what is phenomenally doubtless: life."

page 196 / essay 'Performing Life' (1979):

"Consciousness of what we do and feel each day, its relation to others'
experience and to nature around us, becomes in a real way the performance
of living. And the very process of paying attention to this continuum is poised
on the threshold of art performance."


- During the Q&A with the artists at the Plymouth conference,
there was some interesting talk about art and life at a given moment.
Go to http://www.ustream.tv/recorded/4178646 and skip to parts around
35:25 to hear Franco Mattes talk about art as a 'fake' per definition, a 'frame' around life
& talking about Tehching Hsieh's work,
or at 39:15 to hear Davide Balliano speak about art as just a 'change of standard', 'switch of mind', not necessarily fake.


- There is the subject of my own work at the moment, which I would love to give a presentation about;
the use of social networks such as Facebook, Twitter and Skype to share my daily life as an artistic practice or 'documentary performance'. Watch presentation here: http://www.vimeo.com/7461196 (dating from October last year,
I hope to receive documentation of my more recent soon).


- Last but not least, this book 'The Everyday' which I showed you last time contains several texts on the political potential of turning your everyday life into art. Again, I will make sure to scan and send you some text during the coming holidays. Fragments:


page 26 (Henri Lefebre - 'Clearing the Ground' - 1961)
"The aim of a critique of everyday life is quite different. It is a question of discovering what must
and can change and be transformed in people's lives, in Timbuktu, in Paris, in New York or in Moscow.
(...) Critique implies possibilities, and possibilities as yet unfulfilled. It is the task of critique to demonstrate
what these possibilities and this lack of fulfilment are."


page 43 (Kristin Ross on Henri Lefebre - 'French Quotidian' - 1997):
"To see in Lefebre's work on the everyday nothing more than a neutral philosophical investigation,
an exercise in pure thought, would be an error. For from the outset of his project, Lefebre made it
clear that to formulate the quotidian as a concept, to wrench it from the continuum in which it is
embedded (or better yet, the continuum that it is), to expose it, examine it, give it a history,
is already to form a critique of it. And to do so is to wish for and work towards change,
transformation, a revolution in the very nature of advanced capitalist society."


Hope that helps!


See you
Sven


THE EVERYDAY

BOOK -- Sven G -- Fri 5 Mar 2010 -- 0 reactions
The Everyday
The Everyday p6


book THE EVERYDAY - page 6

"Only 5 minutes of every day are interesting. I want to show the rest."

(Hans-Peter Feldmann, in conversation with Helene Tatay, 2002)



ART AS EXPERIENCE

BOOK -- Sven G -- Sun 21 Feb 2010 -- 0 reactions
If artistic and esthetic quality is implicit in every normal experience, how shall we explain how and why it so generally fails to become explicit? Why is it that to multitudes art seems to be an importation into experience from a foreign country and the esthetic to be a synonym for something artificial?

- John Dewey, Art as Experience, p12-13
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