Documenting Durational Live Performance Art Using Social Media
What are the limits to consistently documenting one's life and sharing it over the web? Can durational live performance art of old be preserved through the use of new social networking sites, such as Facebook, Twitter, YouTube, etc.? How can we begin to think of making an inventory of contemporary durational live performance artworks that take place on these social media?
MY WEEK 2.0 a.pass portfolio January 2010 - January 2011