part 2


00:00-02:48 = the problem with calling dance 'performance'

02:48-03:33 = performance manifest of Ulay and Abramovic

03:33-10:43 = (problems with) conditions to re-enact - 7 Easy Pieces

10:43-12:33 = can documentary film capture performances?

12:33-17:08 = Burden's introduction to his tape of 'Documentations '71-'74'

17:08-17:48 = can the documentary film have performative quality?

17:48-19:08 = personal experience with filming Mikes

part 3


00:00-01:00 = to Mikes, video documentation is not the work

01:00-02:00 = presenting pictures and video as just a registration

02:00-03:10 = video as 'another answer' to the performance history

03:10-03:40 = video re-enactment Vito Acconci's 'Trademarker'

04:00-04:20 = the performance remains most important

04:20-06:25 = exhibiting the memory of the people who were there

06:25-07:10 = lecture on how photo and video are not enough to represent

07:10-08:40 = Q: is the unreliability of the document a problem?

08:40-10:05 = 'bad performances with pictures that are just beautiful'

10:05-11:03 = public/private performances = live/video performances ?

11:03-11:56 = Burden (and other artists as well) are deliberately misinforming

11:56-12:20 = embracing that the documentary cannot capture the performance

12:20-12:42 = 'photography is a handicap of the world'

12:42-13:48 = about the photographs from the re-enactment of 'Lips of Thomas'

13:48-15:49 = future plans of Mikes

15:49-17:20 = re-enacting things that weren't performances

17:20-17:45 = thank you for your attention