00:30-01:50 = welcome, the title of the presentation 'Documentary Performance'
01:50-02:40 = explanation of how I became a documentary filmmaker
02:40-06:30 = biography of Mikes becoming a performance artist
06:30-07:50 = concept of the 'arc' of creativity
07:50-10:50 = people's understanding of performance art
10:50-11:20 = having organized a performance yesterday
12:40-14:35 = video re-enactment Chris Burden's 'Shoot'
15:00-19:32 = why re-enact Burden
00:00-02:48 = the problem with calling dance 'performance'
02:48-03:33 = performance manifest of Ulay and Abramovic
03:33-10:43 = (problems with) conditions to re-enact - 7 Easy Pieces
10:43-12:33 = can documentary film capture performances?
12:33-17:08 = Burden's introduction to his tape of 'Documentations '71-'74'
17:08-17:48 = can the documentary film have performative quality?
17:48-19:08 = personal experience with filming Mikes
00:00-01:00 = to Mikes, video documentation is not the work
01:00-02:00 = presenting pictures and video as just a registration
02:00-03:10 = video as 'another answer' to the performance history
03:10-03:40 = video re-enactment Vito Acconci's 'Trademarker'
04:00-04:20 = the performance remains most important
04:20-06:25 = exhibiting the memory of the people who were there
06:25-07:10 = lecture on how photo and video are not enough to represent
07:10-08:40 = Q: is the unreliability of the document a problem?
08:40-10:05 = 'bad performances with pictures that are just beautiful'
10:05-11:03 = public/private performances = live/video performances ?
11:03-11:56 = Burden (and other artists as well) are deliberately misinforming
11:56-12:20 = embracing that the documentary cannot capture the performance
12:20-12:42 = 'photography is a handicap of the world'
12:42-13:48 = about the photographs from the re-enactment of 'Lips of Thomas'
13:48-15:49 = future plans of Mikes
15:49-17:20 = re-enacting things that weren't performances
17:20-17:45 = thank you for your attention