Sven G

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Documentary/Performance (2008)
-Abramovic EMAILS      
-Abramovic AUDITION      
-Marina Abramovic and Ismael Ivo addressing the dancers      
-Abramovic SPEECH      
-LIVING ARCHIVE      
-O N E . T W O ...      
-EXERC. 13&22      
-HERE & NOW      
-EXHIBITION      
-PAPER (Dutch)      

Transmedia INPUT (2008-2009) / DOCUMENTARY PERFORMANCE
-Transmedia Application      
-Transmedia Research Blog      
-1TM Individual Presentation      
-Purchase iPhone 3G      
-Transmedia Paper      
-TIME & MEMORY      

Transmedia OUTPUT (2009-2010) / LIFE PERFORMANCE
-Transmedia Research Proposal      
-Transmedia Student Wordpress      
-PROSPECTIVES.09 Exhibition      
-Transmedia Research Dossier      

>LIST OF INDIVIDUAL ART PROJECTS
-EXERCISES 13 & 22 (2008)      
-H E R E & N O W (2008)      
-Elevator Performance      
+ 1 Y L P 2.0 +      
-HOTMAIL (2009)      
-EVERNOTES (2009)      
-FLICKR FEED (2009)      
-SELF-PORTRAIT (2009)      
-NEGOTIATED MAP (2010)      
-FACE-TO-FACEBOOK (2010)      
-FOLLOWING PIECE 2.0 (2010)      
-T W I T T E R 2 4 / 7 (2010)      
+EYE CONTACT project      
+Self - Surveillance      
+ MY WEEK 2.0 +      
-Flickr Feed (2011)      
-Face-to-Facebook (2011)      
-Following Piece 2.0 (2011)      
-Twitter Screen (2011)      
-Sven G Clock (2011)      
-MY WEEK (2011)      
-C C T Vs (2011)      
-Vortex (2011)      
-Icon (2011)      
-Flip Chart (2011)      
-14/02/'11 (2011)      
-THE KITCHEN (2011)      
-iGotUp (after On Kawara)      
-S W A T T I N G (2011)      
-P I C A S A (2011)      
-V E X A T I O N S      
-ME, MYSELF & i      
-Werkkamp 011      
-AUGUST EPIC      
-MTC (2011)      
-i OWN project      
-STUDIO 54 soap      
-D O N ' T K N O W !      
-i OWN 24 Hour Remix      
-i OWN 12 Hour Remix      
-i OWN 6 Hour Remix      
-i OWN 3 Hour Remix      
-i OWN 90 Minute Remix      
-CLEANING THE HOUSE (2012)      
-DOMESTIC BONDAGE (2012)      
+ YOUR LIFE 2.0 +      
+ ONLY YOU +      
-DIG (2012)      
-TRASH (2012)      
-FRANCISCUS (2012)      
-BECOMING MR. PROPER (2012)      

>a.pass DESKTOP PRESENTATIONS
-May 5th 10 / a.pass      
-May 18th 10 / T M      
-June 29th 10 / ARGOS      
-November 24th 10 / a.pass      

>a.pass DEDICATED MENTORING
-February 2nd 10 / Elke & Bart      
-February 3rd 10 / Nicolas      
-March 29th 10 / Elke & Bart      
-May 31st 10 / Elke & Bart      
-June 10th 10 / Anette      
-June 10th 10 / Nicolas      
-July 27th 10 / Nicolas      
-July 28th 10 / Elke & Bart      
-July 28th 10 / Anette      
-September 30th 10 / Nicolas      
-September 30th 10 / Elke & Bart      
-October 28th 10 / Anette      
-November 24th 10 / Elke & Bart      
-November 28th 10 / Anette      

>a.pass GROUP DISCUSSIONS
-END WEEK March 30th / PAF      
-INTRO WEEK May 6th / deSingel      
-END WEEK July 27th / PAF      
-INTRO WEEK Aug 30th / deSingel      

>a.pass SHARED PROJECTS
-NO ID      

>a.pass STUDY GROUPS
-IDENTITY      
-THE GAZE      

>a.pass WORKSHOPS
-reenactment/reconstruction      
-affect and emotion      
-revolution/noworkshop      
-social media and the avatar      
-the gaze      
-film analysis: terror      
-janez jansa      
-lilia mestre      

>ARGOS research
-Virtueel Platform      
-E-Culture Fair 2010      
-NIMk Website report      
-Documentation Salon5      
-Database development      
-Training A/V technician      
-ARGOS Twitter how-to      
-vimeo Slavs and Tatars      
-vimeo Alga Marghen      
-Conference AVA21      
-Editing Workflow      
-Adobe On Location      
-vimeo Opening Night      
-Obsolete Equipment      
-Documentation Walks      
-Open Archive #2 Videos      
-vimeo Walking the Hinterland      

>CONFERENCES
-Live Laboratory Symposium      
-The memory of the artist      
-Archipel / Memories of the Future      
-Really Existing Social Media      
-EU Conference AVA21      
-Obsolete Equipment      
-The manifold (after)lives of performance II      

>INTERVIEWS
-March 7th 10 / Paula Orrell      
-March 15th 10 / Joseph DeLappe      
-March 16th 10 / Eva & Franco Mattes      

>TRIP TO NY
-The Artist Is Present / expo      
-Lecture Joseph DeLappe      

>LECTURES
-May 14th 10 / iMAL Brussels      
-June 25th 10 / Vooruit Ghent      

>READING
-Michel Foucault      
-Giorgio Agamben      
-Geert Lovink      

>ESSAYS
-Up In The Air      

>BUZZ
-Reno News & Review      
-UNFRAMED      
-Plymouth Arts Centre      
-blogger Lyra Kilston      
-blogger Megan Stanphill      
-curator Sofie Van Loo      

>BIO

>CV

participant contact info

Belgium   --   13/10/84
svengoyvaerts a gmail.com
http://www.facebook.com/sv ...
http://www.vimeo.com/sveng

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updated by Sven G -- Thu 5 Aug 2010 - 17:35

-blogger Megan Stanphill

'Sven Goyvaerts' One Year Life Performance 2.0 and Glenn Weatherson's Sixty-Days:
Using social media as a vessel for their art
'


Artist Sven Goyvaerts presented his social media experiment One Year Life Performance 2.0 at the University of Nevada, Reno on November 12, 2009. He began recording everything he does during the day on June 16, 2009, and sharing it through social media sites such as Facebook, MySpace, vimeo, YouTube, and yes, even World of WarCraft.

This is an experiment that tests the ability of social media and whether it truly does work. Goyvaerts likes to say that his experiment is like a “reality show, coming to you, on each day, for one whole year, for free.” However, do people really pay attention to what is going on? Do you need to have a personal connection with somebody who is blogging, tweeting, or updating statuses to truly care about what someone is saying or doing? Is social media a form of art?

To answer the last question first, social media is not a form of art. However, social media is a vessel for Goyvaerts’ art. It is just like how a canvas alone isn’t art, but what the artist puts on the canvas is.

His project reminds me of Glenn Weatherson’s project called Sixty-Days. Weatherson created a video series on vimeo sharing his days while being stuck in an apartment on house arrest. He also shared his experiences on his portfolio, Flickr and Twitter. This can be considered art, but Weatherson had no intention to make it art. He started doing absurd things in front of a camera and shared it with his friends and family members. He would do things such as drink a gallon of Tampico orange juice and throw it up or rearrange his entire apartment to have all the furniture stacked up on each other in the center of the room.

Goyvaerts and Weatherson’s projects are similar in their use of social media to promote their artistic ideas. What I have noticed is that they began promoting their projects through their friends, and then their friends helped them promote it, and then their friends’ friends sent it to their friends. It’s a chain reaction. And, there you have it… the power of social media.

I would like to see more art documentations such as these. The most interesting part about it all is to see how people react to them – whether they view, interact or participate in the work.

Great job Goyvaerts and Weatherson! You continue to make social media a fascinating topic of conversation.