shannon Jackson
Performance is a prime site
for reflection on the risks and paradoxes of the social itself. Because
performance negotiates both the encumbering realm of material making as well as
the ephemeral realm of motion and affect, it is a place to investigate the paradoxes
of social innovation and social obligation. It anticipates a future that cannot
be known but on whose unfolding its identity depends.
Oh Oh
0 Well,
Go ahead and pick your number of perfection
On a search to cross-overOn a search to cross-over
Some-times,
i see my-self
as a re-searcher,
(re)-discovering the objects,
again & again,
like they were there,
never to be found.
On a search to cross-overWith faith & trust into the great darkness...
Note-drawing on Christmas Humphreys' "Concentration and Meditation".
On a search to cross-overTalk with Marc de Kesel
Introduction
into Lacan
18.12.2010
Our
talk:
Why
Lacan? Lacan in cultural theory, the problem of the bad editions of
lacanian texts, Lacan as a subject theory, links to Zizek, the fascination of the Real in philosophy,
Freud: the perverted approach by humans to life, the subject in the history of philosophy (medieval time,
Spinoza, Descartes, and a bridge to Lacan), history of science...
And at
the end again: Why Lacan?
Please follow these links:
Part 1: http://www.zshare.net/audio/8410214585f59de4/
Part 2: http://www.zshare.net/audio/841012552acb850f/symposium meeting van Hove / Versweyveld
Ivo van Hove is now director and artistic director of Toneelgroep Amsterdam in the Netherlands. In the eighties he was part of the so-called Flemish Wave, a heteroclitic group of artists that brought a fresh breath of air to the performing arts in Belgium and then quickly conquered the international scene. From his early beginnings on stage, scenographer and light designer Jan Versweyveld was his partner in crime. This symposium wants to reflect on their shared trajectory of almost thirty years.
With contributions and the collaboration of Pol Arias, Guy Cassiers, Pieter Bots, Gideon Lester, Klaas Tindemans, Johan Thielemans, Bart Van den Eynde, Koen Van Synghel, Chris Nietvelt, Halina Reijn, Johan Van assche & Peter Van Asbroeck.
The symposium is part of a larger program organized by deSingel on the performances of Ivo van Hove.
9th of Oktober 2010 from 11AM to 17PM
deSingel, Desguinlei 25, 2018 Antwerp
B.O.T. “ Boxes of Transiency” Performance by Maria Lucia
B.O.T. Boxes of Transiency, suspend the hidden fissures of our existence. Using healing as a metaphor, the clinical perception of human health condition, reflects the state of our planet earth. An experiment, a laboratory that equally embraces the life of species . Besides the ethical quest, it relates the singularity and weakness of humanity towards the layers of the politics of nature.
http://www.budakortrijk.be/festival/fresh-10-du?n=533
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EXPO 5
EXPO 5
TENTOONSTELLING LAUREATEN THEATERVORMGEVING 2008
Van 16 tot en met 23 januari 2009 loopt in de Kleine Zaal van deSingel de tentoonstelling EXPO 5 met werk van de laureaten van de opleiding Theatervormgeving van de Posthogeschool voor Podiumkunsten.
De tentoonstelling toont scenografische ontwerpen die Karolien De Schepper, Christophe Engels, Lot Jansen, Lore Rabaut en Bruno Stappaerts het afgelopen jaar realiseerden in het kader van hun opleiding.
Onder begeleiding van Johan Daenen werd gewerkt rond twee projecten: ‘Kwartet’ van Heiner Müller als locatieproject in de Monty in Antwerpen en een conceptuele oefening rond ‘Wachten op Godot’, ‘Eindspel’ en ‘Happy Days’, drie bekende stukken van Samuel Beckett. Niek Kortekaas begeleidde ‘Roberto Zucco’ van Koltès als ontwerpoefening op maat van de Rode Zaal van deSingel. Opera-scenograaf Benoit Dugardyn was verantwoordelijk voor de begeleiding van ‘Tosca’ van Giacomo Puccini, waarvoor een scenografie ontworpen werd voor de Koninklijke Muntschouwburg in Brussel.
Het tentoongestelde materiaal (maquettes, ontwerptekeningen, storyboards, foto’s, enzovoort) geeft een goed beeld van het werk van de laureaten, hun stijl en talent en richt zich zowel naar de theaterpraktijk (regisseurs, theatermakers, gezelschappen), maar ook naar een breed geïnteresseerd theaterpubliek.
EXPO 5 is gratis toegankelijk en dagelijks geopend van 17 – 23u en op verzoek
info a apass.be
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+32 (0) 476 59 58 66
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